John Henry Twachtman
American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,
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John Henry Twachtman Waterfall in Yellowstone oil painting


Waterfall in Yellowstone
mk162 c.1895 Oil on canvas 23x16
Painting ID::  41489 		John Henry Twachtman
Waterfall in Yellowstone
mk162 c.1895 Oil on canvas 23x16
   
   
     
John Henry Twachtman Arques-la-Bataille oil painting


Arques-la-Bataille
mk177 1885 Oil on canvas 60x78in
Painting ID::  44793 		John Henry Twachtman
Arques-la-Bataille
mk177 1885 Oil on canvas 60x78in
   
   
     
John Henry Twachtman Gloucester Harbor oil painting


Gloucester Harbor
mk177 1901 Oil on canvas 25x25in
Painting ID::  44802 		John Henry Twachtman
Gloucester Harbor
mk177 1901 Oil on canvas 25x25in
   
   
     
John Henry Twachtman THe Waterfall oil painting


THe Waterfall
mk177 c.1890-1900 Oil on canvas 30x30in
Painting ID::  44803 		John Henry Twachtman
THe Waterfall
mk177 c.1890-1900 Oil on canvas 30x30in
   
   
     
John Henry Twachtman The White Bridge oil painting


The White Bridge
mk177 1900 Oil on canvas 30x25
Painting ID::  44815 		John Henry Twachtman
The White Bridge
mk177 1900 Oil on canvas 30x25
   
   
     
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     John Henry Twachtman
     American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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